{"id":599,"date":"2017-01-10T15:28:59","date_gmt":"2017-01-10T15:28:59","guid":{"rendered":"http:\/\/wordpress.fau.edu\/lifelongexchange\/?p=599"},"modified":"2017-01-10T15:29:43","modified_gmt":"2017-01-10T15:29:43","slug":"steven-caras-a-work-in-progress","status":"publish","type":"post","link":"https:\/\/wordpress.fau.edu\/lifelongexchange\/2017\/01\/10\/steven-caras-a-work-in-progress\/","title":{"rendered":"Steven Caras: A Work in Progress"},"content":{"rendered":"
\"kami\"<\/a>

By Kami Barrett-Batchelder Associate Director<\/p><\/div>\n

The movie \u201cBlack Swan\u201d had me flinching in my chair and turned my stomach into knots in anticipation of what would happen next. Watching the tortured ballerina, \u201cNina,\u201d whom Natalie Portman portrayed magnificently, made me wonder – Is this really what happens when the curtain goes down, or is it Hollywood?<\/p>\n

\"\"<\/a>

George Balanchine conducting rehearsal, New York City Ballet, 1981.<\/p><\/div>\n

This Thursday, January 12, at 11:15 a.m., Steven Caras, a former ballet dancer and renowned ballet photographer, will share professional and personal milestones and setbacks via compelling, uncensored tales beginning with his mock-ridden childhood and struggles with sexuality, to his days as a dancer during the true golden era of dance in America under the leadership of ballet\u2019s towering genius, George Balanchine.<\/p>\n

At the age of 18, Steven Caras was personally invited to join the New York City Ballet by its founder, George Balanchine. Over the next 14 years, he would dance worldwide in numerous masterworks choreographed by Balanchine and Jerome Robbins.<\/p>\n

\"\"<\/a>

Janine Harris and Tracy Mozingo dancing Isle<\/em>, Ballet Florida, 1997.<\/p><\/div>\n

Inspired by all aspects of his surroundings, Caras was compelled to cultivate his longtime interest in photography \u2014 a \u201ccalling\u201d that would eventually lead to a second career. Today, The Steven Caras Dance Photography Collection (in excess of 120,000 photographs) is considered to be one of the most valuable, historically significant dance archives of all time. Featuring many of the dance world\u2019s most celebrated artists and institutions, Caras\u2019 images continue to appear in prominent books, publications, films, documentaries, exhibitions and private collections.<\/p>\n

I had the opportunity to spend time with Caras over the past few months as he prepared for his presentation at LLS, and I learned a tremendous amount about what the world of ballet truly encompasses. \u201cBlack Swan\u201d only briefly touches on how beautiful and colorful the world of ballet can be. Dancers do not always go to a dark place to prepare for a role. It is amazing what the human body can accomplish when a dancer\u2019s heart is determined and devoted to overcoming the limitations of his, or her, mind and body.<\/p>\n

Caras has spent practically his entire life in the world of ballet and I became curious as to what he would have done professionally had he not become a ballet dancer. He was kind enough to answer some of my questions.<\/p>\n

 <\/p>\n

\"Ballet<\/a>

Dan Harris, Ballet Florida, 1998.<\/p><\/div>\n

What is your earliest memory of ballet dancing? <\/strong>My first class. I wore long underwear and bedroom slippers.<\/em><\/p>\n

If you had not become a ballet dancer and photographer, what profession would you have chosen? <\/strong>Psychology<\/em><\/p>\n

What is your favorite ballet? <\/strong>Anything and everything by GEORGE BALANCHINE.<\/em><\/p>\n

Who, or what, inspires you? <\/strong>My faith and kind people.<\/em><\/p>\n

I\u2019m sure you have travelled extensively with both of your professions.\u00a0 What is your favorite travel destination? <\/strong>California, New York, South Florida, and wherever else I\u2019m welcomed.<\/em><\/p>\n

What is the funniest thing that happened to you while you were dancing? <\/strong>I farted (loudly) catching a future super-star in our student workshop performance at Lincoln Center.<\/em><\/p>\n

What title would you choose for your memoir? <\/strong>Steven Caras: A Work in Progress<\/em><\/p>\n

What do you work toward in your free time? <\/strong>More free time.<\/em><\/p>\n

\"White<\/a>

Mikhail Baryshnikov dancing A Cloud in Trousers<\/em>, White Oak Dance Project, 1996.<\/p><\/div>\n

In a career that continues to evolve, Steven Caras continues to wear many hats \u2014 from dancer\/photographer, published author, ballet master, repetiteur and director of development, to keynote speaker and producer. He plays a critical role in Palm Beach County philanthropy, serving as a trustee on a private foundation along with being the founding chairman of two local charities. For the past 18 years, Caras has been a regularly featured speaker and interview moderator at The Kravis Center in West Palm Beach. In 2014, he was honored with the Career Transition for Dancers\u2019 \u201cHeart & Soul Award,\u201d presented to him at their annual gala by Broadway legend Chita Rivera.<\/p>\n

To purchase tickets for Caras\u2019 lecture, visit www.fau.edu\/llsjupiter<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The movie \u201cBlack Swan\u201d had me flinching in my chair and turned my stomach into knots in anticipation of what would happen next. Watching the tortured ballerina, \u201cNina,\u201d whom Natalie Portman portrayed magnificently, made me wonder – Is this really…<\/span><\/p>\n

Read more ›<\/a><\/div>\n

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